《在你面前》劇情介紹
《在你面前》是由洪常秀執(zhí)導(dǎo)，洪常秀編劇，李慧英,趙允熙,權(quán)海驍,申錫鎬,河成等明星主演的劇情,電影。
《在你面前》是一部由韓國(guó)導(dǎo)演洪常秀執(zhí)導(dǎo)的電影，講述了一位中年女子在重新適應(yīng)韓國(guó)生活的過程中，與一名導(dǎo)演展開對(duì)話，并逐漸思考和觸動(dòng)了關(guān)于衰老和死亡的問題。這部電影以簡(jiǎn)約的手法展現(xiàn)了日常生活中的平凡舉止和充滿韻味的對(duì)話，帶給觀眾一種關(guān)于生命的領(lǐng)悟和感悟。
《在你面前》別名：In Front of Your Face,活在你面前(港),在你面前 ???? ???，于2021-07-15上映，制片國(guó)家/地區(qū)為韓國(guó)。時(shí)長(zhǎng)共85分鐘，總集數(shù)1集，語(yǔ)言對(duì)白韓語(yǔ)，最新狀態(tài)HD。該電影評(píng)分7.6分，評(píng)分人數(shù)6705人。
《在你面前》演員表
《在你面前》評(píng)論
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《在你面前》影評(píng)
訪談節(jié)選｜世界的無限可能?。?/h3>《在你面前》是一部由韓國(guó)導(dǎo)演洪常秀執(zhí)導(dǎo)的電影。這部電影以簡(jiǎn)約的手法展現(xiàn)了男女之間的情感關(guān)系，洪常秀通過挖掘人們內(nèi)心深處的情感，以其獨(dú)特的方式打動(dòng)了觀眾。影片講述了一位中年女子重新適應(yīng)生活的故事，她與姊姊一起生活，兩人之間隱藏著許多秘密。故事發(fā)生在首爾的一家小酒吧里，女主角與一位導(dǎo)演相約見面，然而突然下起了傾盆的雷雨。洪常秀通過平凡的舉止和深入人心的對(duì)白，將男女之間的情感和衰老與死亡的生命頓悟相結(jié)合，展現(xiàn)了情感和生命的意義。這部電影吸引了觀眾的注意，洪常秀通過簡(jiǎn)約的手法和精彩的表演成功地將情感和生命的意義展現(xiàn)給觀眾。這部電影讓人們對(duì)自己的生活和情感有了更深刻的思考，是一部值得觀看的電影。
這兩段話來自洪常秀關(guān)于《這時(shí)對(duì)那時(shí)錯(cuò)》的采訪，盡管時(shí)間較為久遠(yuǎn)，但可以看出近十年洪的創(chuàng)作思路的源頭。
洪常秀的電影生涯有著非常清晰的進(jìn)化過程，《在你面前》與《引見》則是他以“極端”方式實(shí)踐世界“無限可能”理念的作品。當(dāng)然《在你面前》相對(duì)于《引見》來說更溫和。關(guān)于洪常秀是如何創(chuàng)作的，可以參考以下這篇翻譯內(nèi)容，透過這篇文章可以很容易理解洪是如何發(fā)展到這一步的。
https://www.douban.com/note/806673407/?dt_dapp=1
引見 (2021)6.72021 / 韓國(guó) / 劇情 / 洪常秀 / 申錫鎬 樸美姬
關(guān)于自《這時(shí)對(duì)那時(shí)錯(cuò)》以來的所有影片的創(chuàng)作思路，洪常秀本人其實(shí)已經(jīng)親自表述過。
這時(shí)對(duì)，那時(shí)錯(cuò) (2015)7.62015 / 韓國(guó) / 劇情 / 洪常秀 / 鄭在泳 金敏喜
Just look at these two circles in the drawing as two independent worlds. If you believe there’s a clear reason for these two worlds to exist, once you find a clear meaning between them, then these worlds themselves disappear. Once we make clear sense out of these two worlds, they are just used up.It happens that it’s not easy to give them a clear meaning. So all the questions are kept alive if there’s an infinite possibility of worlds. It’s like a permanent reverberation.
Imagine this rectangle is real life. I try to come as close as possible to it. How? Using details of my life, things I’ve lived, things I heard from other people I know or I just met. I always mix different sources,and it’s never about myself, but it looks like something that happened, or looks like its about me.I want it to be like that. I realized that when I was 23 and was writing a script based on a real story. I felt too tense ;I couldn’t move.I needed distance. In the same way,my films are never a parallel line to reality. What I tend to do is to follow an arrow towards reality, avoiding it at the very last second.
這和巴贊的電影觀念不同，鏈接中的內(nèi)容也提到洪對(duì)巴贊的“懷疑”這篇影評(píng)有劇透
《在你面前》是一部由韓國(guó)導(dǎo)演洪常秀執(zhí)導(dǎo)的電影。這部電影以簡(jiǎn)約的手法展現(xiàn)了男女之間的情感關(guān)系，洪常秀通過挖掘人們內(nèi)心深處的情感，以其獨(dú)特的方式打動(dòng)了觀眾。影片講述了一位中年女子重新適應(yīng)生活的故事，她與姊姊一起生活，兩人之間隱藏著許多秘密。故事發(fā)生在首爾的一家小酒吧里，女主角與一位導(dǎo)演相約見面，然而突然下起了傾盆的雷雨。洪常秀通過平凡的舉止和深入人心的對(duì)白，將男女之間的情感和衰老與死亡的生命頓悟相結(jié)合，展現(xiàn)了情感和生命的意義。這部電影吸引了觀眾的注意，洪常秀通過簡(jiǎn)約的手法和精彩的表演成功地將情感和生命的意義展現(xiàn)給觀眾。這部電影讓人們對(duì)自己的生活和情感有了更深刻的思考，是一部值得觀看的電影。
這兩段話來自洪常秀關(guān)于《這時(shí)對(duì)那時(shí)錯(cuò)》的采訪，盡管時(shí)間較為久遠(yuǎn)，但可以看出近十年洪的創(chuàng)作思路的源頭。
洪常秀的電影生涯有著非常清晰的進(jìn)化過程，《在你面前》與《引見》則是他以“極端”方式實(shí)踐世界“無限可能”理念的作品。當(dāng)然《在你面前》相對(duì)于《引見》來說更溫和。關(guān)于洪常秀是如何創(chuàng)作的，可以參考以下這篇翻譯內(nèi)容，透過這篇文章可以很容易理解洪是如何發(fā)展到這一步的。
https://www.douban.com/note/806673407/?dt_dapp=1
引見 (2021)6.72021 / 韓國(guó) / 劇情 / 洪常秀 / 申錫鎬 樸美姬
關(guān)于自《這時(shí)對(duì)那時(shí)錯(cuò)》以來的所有影片的創(chuàng)作思路，洪常秀本人其實(shí)已經(jīng)親自表述過。
這時(shí)對(duì)，那時(shí)錯(cuò) (2015)7.62015 / 韓國(guó) / 劇情 / 洪常秀 / 鄭在泳 金敏喜
Just look at these two circles in the drawing as two independent worlds. If you believe there’s a clear reason for these two worlds to exist, once you find a clear meaning between them, then these worlds themselves disappear. Once we make clear sense out of these two worlds, they are just used up.It happens that it’s not easy to give them a clear meaning. So all the questions are kept alive if there’s an infinite possibility of worlds. It’s like a permanent reverberation.
Imagine this rectangle is real life. I try to come as close as possible to it. How? Using details of my life, things I’ve lived, things I heard from other people I know or I just met. I always mix different sources,and it’s never about myself, but it looks like something that happened, or looks like its about me.I want it to be like that. I realized that when I was 23 and was writing a script based on a real story. I felt too tense ;I couldn’t move.I needed distance. In the same way,my films are never a parallel line to reality. What I tend to do is to follow an arrow towards reality, avoiding it at the very last second.
